FORTHCOMING

“Democracy Versus Design: Social Media Constructions of Publics and Political Power in America” After 2016: The Crisis in Digital Democracy. Eds. John Jones and Michael Trice. (Forthcoming)

“Liberating Labor: American Neoliberal Discourse in Digital Economies.” Canadian Review of American Studies. (Forthcoming)

PEER REVIEWED FULL LENGTH ARTICLES

Breaking the blackbox: Recovering female labor through circuit bending ROM chips,” Ada: A Journal of Gender, New Media, and Technology, no. 13 (2018).

“Gaga over Google: Problematizing Democratization of Information in Capitalist Communication,” Media Development 12, no. 3 (2017): 16-20.

Computers, Comics and Cult Status: A Forensics of Digital Graphic Novels.” Digital Humanities Quarterly 8.3 (2014). Web.

PEER REVIEWED SHORT ESSAYS AND REVIEWS
“Juliana Spahr: How Poems Work” LemonHound. September 20, 2013. Montreal, QC

“Repeater Review” Matrix. December 2013. Montreal, QC

CONFERENCE PAPERS

“Imagining Feminist Media Through Hacking.” International Communication Association Conference, Prague, CZ, May 24-28, 2018.

“All about Algorithms: Bias and Fake News in Social Media.” Media Research and Practice 2017 Colloquium, Boulder, CO, Dec 6, 2017.

“Electrical Extensions: Applying Media Archaeology to Communication History.” International Communication Association: Communication History Division Conference, San Diego, CA, May 25-29, 2017.

“Plugging into Gender: Hidden Histories of Electric Media Outlets, Gender and Media Infrastructure.” Society for Cinema and Media Studies Annual Conference, Chicago, IL, March 22-26, 2017

“Scanning as Global Media” Modern Language Association Annual Conference 2016. Austin, Texas.

“To Download or Not to Download? An Examination of Academic Publishing and
Knowledge Dissemination in an Internet Era” HASTAC 2015. Michigan State University, East Lansing.

“Digital Paratextuality as Subversion: How New Technology Alters Traditional Processes of Textual Production and Reading.” American Comparative Literature Association Annual Conference 2015, Panel: Re-thinking Text as “Process” in the Humanities, digital and non-digital. University of Washington, Seattle, WA.

“Libraries as spaces of knowledge input” A2RU Conference 2015. Virginia Commonwealth University, Richmond VA.

“Anonymity and Authorship in Modern Graphic Novels.” Endnote Graduate Conference 2013, UBC. Vancouver BC.

“Computers, Comics and Cult Status.” At the Mercy of the Masses: Popular Culture and Academia Graduate Conference 2013, University of Maryland. College Park MD.

Co-authored with A. Mardon. “Collaborative (de)reconstruction” Simon Fraser University Graduate Conference 2012, Collaborative Practices Panel. Vancouver BC.

“Scientific Temporality in Lacanian Theory and Olson’s The Maximus Poems” SFU Graduate Literature Conference 2011, Non-Linear Temporalities Panel. Vancouver, BC

INVITED TALKS

“Archives as Processes of Production: Interrogating Archival Infrastructure, Labor and History” Ischool, University of Toronto, Toronto, ON, Nov 28, 2016.

“Interrogating the Standard.” Input/Output Symposium, Montreal, QC, Nov 24-25, 2016.

“What is Media Archaeology?” 300 Level Media Theory Course, Boulder, CO, Nov 15, 2016.

NON-REFFERED CONTRIBUTIONS
“Seattle Poems” Ditch Poetry Magazine (2013) Web.

“Seroquel Soliliquy” Poetry is Dead 9 (2013) Print.

“Home Reno and other poems” Contemporary Horizons Magazine (2013) Print.

“There was a Storm” Headlight Anthology (2013) Print.

“I always were glitter eyeliner”; “Cityscape” Steel Bananas Vol. 29. (2012) Print.

“Cityscape” Enpipe Line Project. (2011) Print.

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